Artwork: Voodoo Cleansing

Skull & Snakes

As with all my projects, I do loads of research beforehand–trying to get into the core of the product, theme, or event. I notice that Voodoo (or Vudon/ Vodoun) is something that scares a lot of people in the Western world because of what has been portrayed in horror movies and the media (as with Wiccan beliefs). Researching it made me understand that it’s a valid religion not particularly associated with darkness, but with all things, there are a few bad apples along the way. More info here. It’s a cliche, but knowledge is power–to understand differences and realize similarities. As an artist, I find that researching unfamiliar topics broadens my creative vision and style.

In the voodoo research, chickens are used in religious ceremonies. The black chicken is used to absorb evil spirits, while the white chicken is used to cleanse the spirit. Influenced by this, I did a little creative licensing. In my artwork, the body of the chicken houses spirits, while it’s plucking away at savory little eyeballs. The drawing was first created in pencil, then cleaned up, and digitally colored and texturized. View Larger Image.

Artwork: Gasmask over Nature

. Posted by Sherrie Thai of Shaireproductions.com

Gasmask over Nature

I’ve been interested in masks for a while. Gasmasks in particular always seemed very ominous to me with it’s alien-like features and the tubular apparatus. This image was inspired by all the talk of global conservation and global warming (formerly known as the “greehouse effect”). Mixed-media artwork: pen/ink illustration with vector art.

Artwork: Contemplation (Heritage Series)

. Art by Sherrie Thai of ShaireProductions.com

This is the second piece of the Heritage Series I started concerning human atrocities in Asia, particularly the Khmer Rouge–a tribute to my family and to the countless innocent people caught in the crossfire.

The inspiration of this composition was from an old photo (perhaps National Geographic) of an Asian male digging through a pile of bones, looking for the remains of his relatives. What furthered my interest was a photo my friend, Ricky, took while visiting Angkor Wat; it was a simple image of monks looking off into the distance. Merging the two, I came up with this piece. The colors are subdued, with accents on the focal points–the robe and the flames surrounding the bones. The image on the right contains the monotone graphite drawing. I chose not to apply color to the monk’s face to give a sense of humanitarian loss–of being a ghost in a world of struggle and hate.

Artwork: Uncle Sam, Big Brother is Watching You

Uncle Sam: Big Brother

I’ve contemplated whether I should post this artwork up. As a commercial graphic designer, you are in a constant space of negotiation, seeking approvals, business etiquette, and customer service. With fine arts, it’s based primarily on the artist’s intention, so sometimes, when misunderstood, there is more scrutiny. Throwing caution to the wind, here’s my two cents. . .

About this piece: I’ve always been drawn to political and social art, especially propaganda pieces. Regardless of the society and the context, political art is powerful and many are great works of design. The I Want You Poster and George Orwell’s theme “Big Brother is Watching You” (1984) inspired this piece.

The intention of this is more social than political. The artwork and message is a reminder that society is not as rosey as it may seem–we have to be aware of ourselves and of the world we live in with respect to those around us. Orwell’s words gives the artwork a slightly ominous slant, but just don’t take this too seriously. The presence of eyeballs and the ultra-bright red color lightens the subject matter, making it more approachable in a tongue-in-cheek humorous way. I recreated Uncle Sam in my simplified linework style. Originally intending to create an apparel design, this may have a better life as a poster.

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