Artwork: Sorrow (Heritage Series)

. Art by Sherrie Thai of ShaireProductions.com

Sorrow

Sorrow is my third piece of the Heritage Series (Ghosts of Khmer Rouge and Contemplation), a self-initiated project concerning the historic atrocities in Asia. Originally a personal tribute to my family in regards to their experiences via the Khmer Rouge, I think this particular piece is applicable to the current events as war is still prevalent. Regardless of your position, the effects of war is saddening.

The background of this image was similar to the rest of the Heritage series–patterns from a brush pen infused with a cloud texture in Photoshop. I’ve always loved trees and thought they have many human aspects. The trees of Angkor Wat have so much life to them–they seem to cry out in pain. Combining horror elements with social themes may have a greater impact to the message of the artwork.

Inspiration: The Rape of Europa

The Rape of Europa Artwork

The Rape of Europa documentary (from Menemsha Films) is based on the book of the same name by Lynn H. Nicholas. It’s a emotional look at the plundering of art in World War II by mass murderer and rejected artist, Hitler (as explored in the film, Max) and the Nazis, the social effects of the loss, art’s place in culture, and the Monument Men (who protected cultural treasures during the war).

From the film, it was reported that millions (!) of artworks were stolen from historical sites, museums, and countless victims of the Nazis. Some of the classical pieces were from Da Vinci, Rembrandt, and Michelangelo. Others included the (Hitler dubbed “Degenerate Artists”) works of Van Gogh and Picasso. Backed by old news reel footage, The Rape of Europa is a compelling story–not just from an art perspective, but a cultural one. Religious artifacts (Torahs, bells, etc.) and the classic art treasures were housed in underground Nazi caves for the intention of being sent to Hitler’s (unbuilt) museum of art. Translating the millions of lives severed from the Holocaust into material objects is an astounding one. The film also touched on the stories of soldiers and their conflicts of saving lives vs. preserving historic monuments. Interviews from residents, victims, and historians recall the role of art for them–it was a source of history, memory, culture, and ultimately, identity.