Book Publication: How to Use Type

. Posted by Sherrie Thai by Shaireproductions.com



How to Use Type, Sketches Page



How to Use Type, Sketches Page



I’m very excited to have my sketches produced in the “How to Use Type” Design Book (Laurence King Publishing, UK, Page 76) along with numerous other designers for this comprehensive look at how to incorporate type and lettering in contemporary promotions.



You could get 35% discount off this book for the next 2 months with this code: CONTRIB8979 at www.laurenceking.com/us/how-to-use-type/ (I don’t get any profits, just a courtesy to ya). Best wishes!


Book Publication: How to Use Type

. Posted by Sherrie Thai by Shaireproductions.com



How to Use Type, Sketches Page



How to Use Type, Sketches Page



I’m very excited to have my sketches produced in the “How to Use Type” Design Book (Laurence King Publishing, UK, Page 76) along with numerous other designers for this comprehensive look at how to incorporate type and lettering in contemporary promotions.



You could get 35% discount off this book for the next 2 months with this code: CONTRIB8979 at www.laurenceking.com/us/how-to-use-type/ (I don’t get any profits, just a courtesy to ya). Best wishes!


Inspiration: The Rape of Europa

The Rape of Europa Artwork

The Rape of Europa documentary (from Menemsha Films) is based on the book of the same name by Lynn H. Nicholas. It’s a emotional look at the plundering of art in World War II by mass murderer and rejected artist, Hitler (as explored in the film, Max) and the Nazis, the social effects of the loss, art’s place in culture, and the Monument Men (who protected cultural treasures during the war).

From the film, it was reported that millions (!) of artworks were stolen from historical sites, museums, and countless victims of the Nazis. Some of the classical pieces were from Da Vinci, Rembrandt, and Michelangelo. Others included the (Hitler dubbed “Degenerate Artists”) works of Van Gogh and Picasso. Backed by old news reel footage, The Rape of Europa is a compelling story–not just from an art perspective, but a cultural one. Religious artifacts (Torahs, bells, etc.) and the classic art treasures were housed in underground Nazi caves for the intention of being sent to Hitler’s (unbuilt) museum of art. Translating the millions of lives severed from the Holocaust into material objects is an astounding one. The film also touched on the stories of soldiers and their conflicts of saving lives vs. preserving historic monuments. Interviews from residents, victims, and historians recall the role of art for them–it was a source of history, memory, culture, and ultimately, identity.